Magazine Article about Me

My film school Alma mater published a great article about my recent film success and my trip to Cannes:

http://today.ucf.edu/cannes-cannes-cannes/

Because She Cannes Cannes Cannes

Alumna's short film honored at world's most prestigious festival

Cinematographer Katie Damien, '01, started working in film before she was a teenager

Growing up in a family of movie buffs and watching the Oscars every year, it seemed Katie Damien, ’01, was predestined for a future in film. In fact, she made her first movie when she was 12 years old. And, she hasn’t stopped making movies since.

Born and raised in Florida, Damien chose to attend UCF because, in her opinion, it had the best film program in the state.


“Film students could direct their own work, they got to keep all the rights to their films, and Orlando is the perfect place to be for filmmaking, with all the studios nearby and the city being so production friendly,” she explains. “’The Blair Witch Project’ had just come out, and UCF’s film program was the place to be.”


Today, she’s the owner of Kd Multimedia, a writer and director, and one of five producers in Gorilla with a Mustache Films.


Damien started the film company with a team of filmmakers she joined in 2010, in order to compete in the 48 Hour Film Project. After winning the competition’s top prize for their short film, “Touched by Angels,” they decided to make more movies together.

Last year, the group competed in the National Film Challenge. But, instead of competing against other local filmmakers, they were competing with filmmakers around the world. In addition, each team was assigned a genre, a character, a prop and line of dialogue that had to be used in its film.


After a long session of brainstorming, one of Damien’s teammates told a story about a friend who rented a car and ended up with the same make and model someone else at the agency had already rented. He didn’t realize he drove off with the wrong car — until he stopped, opened the trunk and found it full of drugs. So, it got them thinking: What would you do if you suddenly found yourself accidentally in possession of a bunch of drugs? And, again, the group won for its short film, “Joint Effort.”


“I was out of my mind excited [when I learned we won],” Damien says. “I was screaming on the phone with the other members of my team. I was in an office full of people when I found out, and they all started to gather around as I was jumping up and down, screaming like a fool.”
But, the excitement didn’t stop there. The National Film Challenge win sent their film to the Short Film Corner at the 2014 Cannes Film Festival.


“I knew that Cannes was the top prize, [but] I had to get on a computer real quick and look for myself to make sure it was true,” Damien continues. “When I saw the win with my own eyes, that’s when the screaming started [again].”


Not surprisingly, Damien’s biggest dream is to some day win an Oscar.

“But, in the immediate future,” she says, “I’d just like to have a big enough budget that I can do all the things I want to in a given movie, and be able to pay all my cast and crew properly.”


Q&A REEL


Q. Who was your favorite professor, and why?


A. Sterling Van Wagenen was the director of the film program when I was there. He also taught a directing class that I took. He was amazing. It wasn’t just the knowledge he imparted or the extremely helpful real-world advice he would give, but he had a soothing demeanor about him. He had a way of squeezing your shoulder that just made you feel like everything would be okay. And for a stressed-out film student, sometimes a shoulder squeeze was exactly what you needed. Mary Johnson was a fantastic screenwriting teacher! I still use her template for creating characters when I write scripts. Mark Gerstein and Lori Ingle were also amazing editing teachers. I learned so much from them. And, I can’t skip Jonathan Mednick, my documentary film teacher. He gave me the best advice my senior year. I was working on a short documentary, and he watched it as a work-in-progress and told me: “Make it about the people. Tell their story and the rest will fall into place.” He died suddenly and unexpectedly that summer. I will always carry those words with me.


Q. How has your UCF degree helped you in your career?


A. Having a film degree, while not essential in this industry, has certainly opened a lot of doors for me. I think the quality of the education I received helped boost the professionalism of my work by leaps and bounds. I was able to try new and difficult things, take risks and fail, all without losing credibility, because I was in a supportive learning environment.


Q. Describe some of your previous films.


A. I’m just now releasing my first documentary feature film, “My Toxic Backyard,” about a community that has been fighting for clean, safe drinking water for decades since it discovered its water was contaminated by an old manufacturing plant where toxic chemicals were dumped into the ground. I’ve made a few comedy films — one comedy/horror about a vampire with a toothache. I made a short drama, “Second Parent,” about how gay parents can’t jointly adopt a child. And, I made a horror film about a couple that accidentally run over a guy with their car and soon find themselves victims of an elaborate scheme.


Q. Are you currently working on any other film projects?


A. I’m currently in post-production on my first comedy feature film with the same group I made “Joint Effort.” It’s called “One Hell of an Angel,” and it’s about a demon who gets in trouble for asking too many questions in hell and is punished by being forced to work with an angel on an impossible mission to get a washed up rock star to write a song that will change everything.


Q. All-time favorite movie?


A. “Strictly Ballroom”


Q. Worst movie you’ve ever seen?


A. The first movie I ever made as a kid. It was so bad I destroyed it.


Q. Favorite movie genre?


A. Action


Q. If someone made a movie about your life, what would the title be?


A. “The Mad World of a Creative Mind”


Q. What or who inspires you?


A. In the film world, Robert Zemeckis. That man can make any kind of movie and make it well.


Q. What profession other than your own would you like to attempt?


A. Beer taster. I’ve heard that’s a thing…


***Check out Katie Damien’s day-by-day journal of her experience at the Cannes Film Festival.***

Press: Watered Down

BY DOROTHY FOLTZ-GRAY, Bold Life Magazine

Katie Damien surveys the Superfund site, that is the subject of her documentary, My Toxic Backyard, from across the street. Photo by Rimas Zailskas

Five years ago, filmmaker Katie Damien searched for a home to buy in South Asheville off Mills Gap Road. "Prices were so much lower than in other places in Asheville," says Damien, a five-time Southeast Regional Emmy winner. "But my friend said, 'Don't buy there. There's something wrong: People are getting cancer.' I stopped looking, but I couldn't stop thinking about the people living there. It haunted me."
The haunting resulted in Damien's first feature-length film, My Toxic Backyard, an hour-long documentary about the South Asheville Superfund site leaking toxic chemicals into the ground water surrounding the area.

CTS Corporation, a global manufacturer of electronic components, purchased the site in 1959, closing it in 1986. But the Environmental Protection Agency did not name it a Superfund site until 2012. The Superfund was established in 1980, when President Jimmy Carter signed the Comprehensive Environmental Response, Compensation and Liability Act (CERCLA, or Superfund) into law. The law enables the EPA to clean up hazardous waste sites.

The EPA first assessed the Asheville site in 1985, finding no evidence of contamination. In 1991, CTS itself notified the state of contamination, but EPA again signed off on the site. Residents believe that 74 cases of cancer have occurred with a mile of the site. And residents' complaints have kept EPA returning, each time finding more evidence of toxins in the ground water.

Damien's film focuses on several affected families: Aaron Penland, who opens the film by pointing to family members, victims of cancer appearing in a family movie, "a death video," he says; Tate MacQueen who moved his family into a tiny apartment to get them away from the water; and Shannon Mead whose constant illness forced her to miss the first seven years of her first child's life.

As the film proceeds, Damien highlights community meetings with EPA officials who appear puzzled by the residents' anger. She alternates such scenes with alarming pictures of toddlers running in sprinklers or drinking from icy water glasses.

Damien toiled on the film for five years, completing it in December 2013. "I thought it was going to be a one-year project," says Damien. "But I was shooting, editing, and doing the research and audio by myself."
For the final year, she was joined by others, including the film's editor, Jamie Byrd, also a filmmaker. "I was so tired, and I had collected so many interviews and so much information," says Damien. "Jamie breathed new life into the project. I was trying to pack in information, but she is more about heart and telling people's stories."

Damien invested more than $10,000 of her own to buy equipment she needed. And she raised $5,000 through Kickstarter, an organization that allows supporters to pledge money for creative work in return for small rewards such as a free ticket to a screening.

Now, she's busy submitting the film to festivals, accepted so far by The Thin Line Festival in Denton, Texas. And she's sending copies to state legislators who are deciding whether to loan Asheville the money to connect affected families to city water.
Damien wants the film to stir up questions about what's happening in our own back yards. "I feel like the society is so concerned about the economy, saying 'We'll deal with the environment once the economy comes back,'" she says. "But the longer we wait, the worse the environment will get."

Damien doesn't begrudge the money she's spent on the film: "Everyone contributed more than they were paid," she says. Besides, she didn't get into filmmaking to make money but to fuel her early passion. "I started when I was 12, making plays with my sister and cousins. And then my uncle gave me a movie camera. My first film was so bad I erased it, but I had so much fun. I thought, 'This is what I will do for the rest of my life.'"

After high school, the Fort Lauderdale, Florida native headed to the University of Central Florida, a place where film students can direct their own projects. Her first documentary — a film about Florida cowboys, Cowmen — won third prize at the Fort Lauderdale International Film Festival. "I knew the cowboys probably wouldn't be around long, and I thought I should tell their story," she says.

Later, for five years, she worked in broadcasting on cruise ships, traveling the world. Then she followed her parents to Asheville, taking a job at WLOS, where she is Creative Services Producer.

Her next film is a comedy, One Hell of an Angel. "It's about an angel and demon forced to work together to help a washed-up rock star write a song to save the world," she says.
The theme's not surprising: For Damien, teamwork — and perseverance — are key to good filmmaking: "Asheville's great for independent filmmakers. People here open their doors. Still, it can be daunting and frustrating. So many films never get finished. You have to make an investment in yourself and trust your own work. And the end goal is to do the story justice."

My Toxic Backyard
Coming to Asheville
this spring
www.mytoxicbackyard.com

Magazine (Rally to Rescue) Cover Shoot

A while back I did my first magazine cover shoot. The assignment was to shoot a man and all the cats that he'd rescued in a cattery he built here in North Carolina. The magazine is called Rally to Rescue. It's put out by Purina and it's all about animals that have been saved in one way or another and the people that rescue them. I shot for the cover and the featured article.

Cats are not the easiest animals to shoot, especially rescued cats. You can pet them and call them and wave toys at them and it's all for nothing. They will either look your way or they won't. My technique was to just keep shooting until I got something. I had hundreds of photos by the end of the shoot, but all the work paid off in the end. I had some great shots for them to use in the magazine. Attached are the pages from the article.

Katie